Tuesday, November 18, 2008

CRYSTAL CASTLES

Every now and then a band comes along that you don't know what to make of. That takes a stab at making something and then turning it into something else, something different, something interesting and memorable. Something that is going to draw a clear line in the sand, Biblical to half the people who hear it and the other half won't understand it and dismiss it as garbage.

Crystal Castles draws that line, millions of people take this music and make it their religion, and others reject it as the music for seizures. However, there is a lot more to this ferocious duo then most of the media would like to grant them. Lets take an in depth, and I’m not kidding, look at these electronic masterminds and their accidental success.



According to an interview with SPIN magazine, the two Torontonians first met while completing community service by reading to the blind, Alice was being punished for living in a Toronto squat and Ethan was serving for an undisclosed crime. I have read in other articles that Alice was a crush of one of Ethan's friends but since they have never said it I don't believe it. After discussing modern music, and that no one was doing anything new, they decided they would try to create a new sound and genre as best as they could.


Alice, at the time, was in the four piece noise-punk girl-band 'Fetus Fatale,' she played with them up until Crystal Castles started touring. It's stated in an NME interview, that “at the age of 14, she changed her name, changed her age, and ran away from home to live in a community of punks and drug addicts.” She claimed this move was "due to an early existential crisis. I wanted to live primitively with no money and no shelter." Both continue an on going mystery of their real surnames.



Ethan, who I've seen go by Ethan Kath, Ethan Fawn, Ethan Catheter and Claudio, was in many bands before Crystal Castles. In high school he was a drummer in a band which was run by his best friend Phil Placentile, they played Toronto's punk scene for before changing their style drastically to a more folk sound. Just as they were about to record their first album Phil Placentile passed away, died in his sleep of an aneurysm brought on by medication he was taking for Rheumatoid Arthritis. A year after, he started a garage-metal band called Jakarta saying he was trying to mix Stooges vocals with Iron Maiden guitars. He enjoyed the band and quoted the guys to be "great people to play with" but, by the time they were offered record deals he decided he wanted to do something different. He had isolated himself from everyone for a few months working on his new idea for a band. People believed he gone completely mad or that he had died.

Ethan says in the summer of 2004, he put together a CD of instrumentals he had created and gave it to Alice to write vocal parts. Ethan was quoted saying, in NOW magazine, "As soon as I saw her perform with 'Fetus Fatale', I knew I could trust her and that I wouldn’t have to look over anything she does. Whatever she’d put on my tracks would be fine, and she’ll never write a clichéd lyric." When she was ready, they went to a local studio to record their first 5 songs. When they were done, the studio gave them 6 songs, the 5 which were planned and one they had secretly recorded of the microphone test, and included it on the CD. He had called the extra track “Alice Practice”.

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Ethan posted these tracks up on myspace and forgot about for six months, two hundred thousand plays and one year later, labels started calling. Alt Delete Records, a label from Nottingham, discovered the tracks on the page, at the time they were also trying to sign Klaxons (then known as Klaxons Not Centaurs). Ethan was interested in their offer because they had ‘The Organ,’ a band he liked. Klaxons ended up putting out a 7" on Merok Records instead, which was owned by the room mate of the bass player of the band. Klaxons introduced Crystal Castles to Merok Records resulting in Merok's next release to be the recording of the microphone test that they had recorded before. Ethan then edited the 10 minute microphone test down to three minutes and it became their first single, 'Alice Practice,' Alice practicing and testing the mic.

What followed were a strew of E.P's from the dynamic duo, which included 'Crimewave', 'Air War,' 'Courtship Dating' and their first one 'Alice Practice,' which was limited to 500 copies and sold out in only three days! 'Alice Practice' is currently going for over $300 on eBay and is considered a rarity among their cult following. Crystal Castles are arguably even defter at remixes, which include such done for artists like Klaxons and Bloc Party. Ethan was quoted stating "We started doing remixes because bands were contacting me when we were in desperate need of money. It was just good timing. Bloc Party wanted to pay us to remix their song, so I just chopped their vocals up over a Crystal Castles song we weren’t using."



Crystal Castles have toured all over the globe sine 2006, Europe and the USA numerous times, North America with Metric and the UK, headlining ‘Unitaur,’ the Vice Magazine’s UK tour and also the UK's NME New Noise tour. Other festivals they’ve played in include Iceland Airwaves festival, Reading and Leeds Festival and the Glastonbury Festival, in which an unimpressed safety crew pulled the plug on the Canadian band's music due to Alice’s’ rebellious stage antics.



After a couple years of touring in cities all over the globe, supporting acts like Nine Inch Nails and The Presets, recording several successful remixes and dealing with a few minor legal set backs, Crystal Castles released their self titled debut album on March 18, 2008 with the Montreal-based label, Last Gang Records. The album has been both heavily-promoted and well-received, and did not disappoint, with their dark, spectacular electronic beats and lyrics which are infectiously danceable. They bring a fresh and innovative sound and dare to take risks, the risks give this album a hard-edged indie feel that flirts with pop without selling out. Understandably some people won't be able to stand the weird assembly of glitchy Atari sounds, even though it is done in such a seamless way.

Despite many sources claiming that they chose their name from the 1983 Atari game or that it is partly the reason, they are completely false. These brain mangling go getters maintain the name actually came from the domicile of '80s cartoon She-Ra: Princess of Power, saying that "We were watching videos on youtube and came across a commercial for a toy version of She-Ra's castle. The ad included the lines "The fate of the world is safe in Crystal Castles" and "Crystal Castles, the source of all power." After hearing those lines I [Ethan] said, "We have our band name."

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Crystal Castles have been the center of two controversies, one related to artwork permissions and the other about samples in their earliest unreleased songs. They used an image depicting a black-eyed Madonna without permission from a UK-born, Tokyo-dwelling artist, Trevor Brown’s artwork collection, they say they allegedly found the image on a flyer a couple years ago. The image was used on the bands merchandise and the cover of their 7" single, ‘Alice Practice,’ which some places refused to distribute because of the controversial image. Last Gang Records also released a limited edition "banned cover" version of the album with the image on it. According to CCs’ manager, Mikey Apples, "it was their hope that the artist might reveal themselves, contact the band and reach an agreement." After years of wrangling between the two parties, CC brought the dispute to a close by paying him for the use of the logo and buying the rights to the image from him. Brown will apparently retain reproduction rights, but the image otherwise belongs to the band. Brown notes, “the black eyed Madonna is now officially and legally theirs, to do with as they please…at least until maddy herself files a lawsuit, ha ha!” No word on how Madonna feels about all this either.

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Also, there has been accusation that the duo have engaged in musical plagiarism, as well as an abuse of the Creative Commons license, by taking, using chopped up samples and rearranging Lo-Bat’s song called, "My Little Droid Needs a Hand" (released under a Creative Commons license), without their permission and then passing it off as their own. According to Pitchfork Media, this was in one of Kath's earliest demos, ‘Insecticon,’ the track was released on the myspace page of their label at the time, Lies Records, without credit to the original sampled songs. Another includes the song "Love and Caring", which samples the kick and snare from Covox's "Sunday". Pitchfork also published an article defending the band, saying that CC never released the songs or performed them and thus were not responsible for breaking the Creative Commons licensing on the songs.

Crystal Castles' sound and style is experimental compared to most indie-pop, but very poppy compared to most noise groups. They are making their mark on the electronic scene with their growing use of samples and heavily distorted female vocals, they mix chiptune sounds and a shouty dance punk sound with a keen sense of what will surely rock the dance floor. When they started they said their goal was to create "noise soundscapes over New Order beats." Ethan likes making noise with circuit bending, which he used instead of distorted guitars, in the beginning they used a lot of 8-bit samples but eventually learned how to create the sounds themselves. Despite often being referenced as an 8-bit band, they say they don't consider themselves so. They admit some songs do have 8-bit, but that some songs are based on circuit bending experiments, and some songs have no electronics what-so-ever. They also tell us that the track 'Magic Spells' has no 8-bit or circuit bent sounds, it does however have the Grand Master Flash sample 30 or 40 seconds in. Although the last track 'Tell me what to swallow' is an atmospheric ballad "based on an acoustic guitar and 40 layers of Glass’s voice" and sounds more like the work of a shoegazer band rather than anything you’d hear in a hipster dance club. They draw influences from bands like The Stooges, Joy Division, New Order, AIDS Wolf, Sonic Youth, DJ Shadow, Daft Punk, The Organ, Alec Empire, U.N.K.L.E and The Velvet Underground.



The extreme on-stage behavior of singer Alice Glass has gained much attention and has quickly become a signature element to their performances. Glass climbs any thing from speaker stacks to metal pillars to drum kits, dives into the photo pit, surfs the sweaty crowds, rolls the stage on all fours all of which cause security to grow concerned for her welfare and the safety of the crowd. This girl really understands that sometimes you just don't mind getting down and dirty in the interest of an ass-kicking rock show, and besides these guys know how to do with Alice’s breathless, blushing shrieks and Ethan’s bursting TurboGrafx keyboard swells. Ethan has once described Glass' onstage behavior to be "the live experience is all about Alice. She is a mental case on stage, and is just uncontrollable. She loses herself in the music. After the show, she is covered in bruises and she can't remember how they got there,” definitely guarantees that you’re in for a hair rising night of satisfying electro.



TRIVIA

Crystal Castles are featured in Season 2 of the English television show ‘Skins,’ in which they perform live at a concert two of the characters, Sid & Tony attend.

Their current live drummer is Michael Bell of Lymbyc System.

When asked about why he had chosen the name "Ethan Catheter” he responded, “I asked Alice to name me after the most uncomfortable thing imaginable. She looked at me as if it was obvious and said, "Ethan Catheter".



Ethan left his metal band on the eve of a major record deal.

The 7 inch sold out in only three days. I tried to buy it on eBay but it was going for more than $300!

On May 4, 2008, their debut album charted at number 47 in the UK Album Chart.

Crystal Castle’s debut album took a bit of time to release because a few of the songs have samples and they couldn't find some of the copyright owners. On one track Ethan sampled an obscure 1950s track and the artist has been deceased for a decade, they can't figure out who owns the copyright. And actually, there were a lot of tracks that were left off the album because they couldn’t find the copyright owners of the samples. “She Fell Off” was left off because of this & also ‘Insecticon.’



The track ‘Untrust Us’ contains samples from the Death From Above 1979 song "Dead Womb".

The track ‘Crimewave’ is in collaboration with the band ‘Health’ and ‘Vanished’ samples the vocals from the track "Sex City" by the band Van She.

The words spoken on the track "Air War" come from the reading of a passage of James Joyce’s ‘Ulysses’.

Prior to release, the original cover, which featured Trevor Brown's black-eyed Madonna artwork, was "banned" due to distributors in the U.S.A. refusing to distribute a CD with Madonna's face on the cover.



Despite their name originating from it, Crystal Castles have never seen an episode of She-ra. “Yeah, we're named after She-ra and we haven't seen an episode of She-ra.” - Ethan

According to an interview with blog BiBBiDi, Crystal Castles “formed by accident, chose a name at random, hate performing, and never practice.”

During the summer of 2008, they toured in support of Nine Inch Nails’ Lights in the Sky Over North America tour.



Alice Glass topped the 2008 NME Cool List, when asked about it she replied, "I'm flattered, but back in school the people who held themselves in the same regard were the biggest waste of skin I've ever met". And after NME asked whether being labeled cool is relevant, she answered, "Nothing matters. We're all dust."



Ethan and Alice remain a pretty private pair, politely refusing to reveal real last names or, maybe more interestingly, ages. “I’m not old, but I’m not young,” teases Ethan. “I am a decade older than Alice.” He insists they aren’t involved with each other, just partners in an exercise in serendipity. “We weren’t even a band! This is just some shit we put together.”



‘Crimewave’ samples a vocal from LA noise-merchants, Health, and twists it beyond recognition. Amongst a luxurious electro bass line, measured beat and achingly pretty electronic melodies, the robotic voice is scratched and split so the pleading words take on a monotonous, almost unknowable tone.

REMIXES
Ethan Kath, under the name Crystal Castles, has remixed a number of songs including:
• ‘Crimewave’ by HEALTH
• ‘Atlantis to Interzone’ by Klaxons
• ‘Lovers Who Uncover’ by The Little Ones
• ‘Leni’ by GoodBooks
• ‘Pop the Glock’ by Uffie, called ‘Make It Hott’
• ‘Trash The Rental’ by Sohodolls
• ‘It Fit When I Was A Kid’ by Liars
• ‘Divebomb’ by The Whip
• ‘Hunting for Witches’ by Bloc Party
• ‘Death’ by White Lies
• ‘Sex City’ by Van She, called ‘Vanished’
• ‘TV Babies’ by Comic Book Fever, called ‘Cry Babies’
• ‘Dead Womb’ by Death from Above 1979, called ‘Untrust Us’
• ‘Lay Down the Law’ by Switches, called ‘Lay Down the Queen’

VIDEOS

Crimewave (Official video, different version)


Courtship Dating (Official video)


Through The Hosiery (Fan Video)


Loving & Caring (Fan Video)


1991 (Fan Video) This is one of my favourite tunes!


UNRELEASED SONGS ALL FAN VIDEOS

DOLLS


NO SKIN


ROT


Insecticon


She Fell Out


Crystal Castles at Glastonbury 2008 FULL SET




REMIXES

Bloc Party - Hunting For Witches (Crystal Castles Remix)


Crystal Castles vs. The Klaxons - Atlantis to Interzone





SINGLES











www.myspace.com/crystalcastles
www.myspace.com/curemebaby
synthead.blogspot.com

Wednesday, October 1, 2008

MODULAR RECORDINGS: THE PRESETS

Just when you thought the whole sleazy electronic punk thing was starting to sound a little tire, along comes this single that get you all excited about what music can be. So this is the continuation of my wicked electronic bands I'm on goingly discovering, mostly from the record label 'Modular Recordings' but it's not limited to them. Last time I talked about New Young Pony Club, an angular guitar driven rock band with dance rhythms, disco-pop gloss & synths. A great band as they maybe, they are no match for the this time I wanna talk about THE PRESETS, a Sydney-based two piece band that plunges you into the darkness of a filthy nightclub atmosphere, hallucinating synths, POUNDING BEATS & luciferian vocals that would make a nun commit adultery. Worried? Good...This is hardcore.





According to their myspace page, Kimberley Isaac Moyes was but a young man (small of stature but big of heart) down on his luck, doing the odd performance in a downtown gay bar & eating anchovies from tin cans discarded in the alley behind a local Italian restaurant, putting all his dollar bills in a pillow, with the dream to one day have enough money to buy a Moog synthesizer. Touching.

Julian Hamilton (robust and ambitious) was the new bus boy in a food joint, taking out the trash and sweating like a malaria ravaged wrestler when he one day chanced upon poor Kim out the back, sucking on those oily little fish like he'd never tasted such a delicacy.



The Presets came into being when drummer Kim Moyes ran into keyboard man Julian Hamilton at that food establishment. There are rumors of shared sardine sampling, plots to overthrow bosses and discussion about collaborating music. Somewhere along the line came the idea of creative a futuristic pop band. Despite having no real sense of what it was they were attempting to create (explained in "Bad Up Your Betterness.") The Presets nevertheless compiled a debut E.P. titled 'Blow up'' & sourced around for some radio & public support.



They officially formed in 2003, inspired by bands like Trans Am and Daft Punk, and found themselves part of the Modular Recordings fold. Releasing
'Blow Up' at the end of that year, The Presets soon began to filter into clubs known for their support of band like Depeche Mode and Cabaret Voltaire. Somehow the duo had managed to deliver what many would consider the undeliverable - electropop mixed with a distinctive rock and roll forcefulness.In a series of small gigs in Sydney, the public began to show determined interest in the strange outfit.





On their second E.P.
'The Girl & the Sea', The Presets wander away from the meandering bass and crystal clear keyboard lines of the title track, and rather embrace a darker atmosphere and bleeping electronic sounds like on 'Kitty in the Middle'.


In September 2005 they released their debut album
'Beams', to much positive critical response, which spawned the dance floor monsters 'Down Down Down', 'Are You The One?' and 'I Go Hard, I Go Home'. Although my favourties on this record are 'Kitty in the Middle' 'Steamworks' & 'Girl & the Sea'.



So began two years of non-stop touring. From playing to clubs in Barcelona, New York and Istanbul, to over one hundred thousand people at the Brandenburg Gate in Berlin and every imaginable key festival in-between, Julian and Kim have covered almost every corner of the globe with their take no prisoners live show.



After two years of non-stop touring, The Presets began production of 'Apocalypso' in early 2007 by going to a farm in Byron Bay for two weeks. The duo had no songs written or any idea what the album would sound like before hitting the farm. The majority of the album was recorded by the band themselves at their own individual home studios.

The album was released in April 2008 & debuted at NO. 1 on the ARIA charts, & achieved gold certification within two weeks. The album features the singles
'My People', 'This Boy's In Love' & 'Talk Like That' ( I love this tune & my other favourites on this disc are 'Yippiyo-ay' & 'A New Sky' !).




So I've realized, after 6 days of writing this, that I could go on for ages talking about The Presets and how they've turned around my thinking of music today! They may only have 2 albums but they also have about 12 E.P.'s, all of which include tunes not on any other album and great remixes, like 'The Girl & the Sea (Cut Copy Remix)'!!! So for now I'll end this here but there will certainly be a continuation on The Presets later on :)

To be continued...

FUN FACTS

  • Along the way the band has remixed and been remixed by many of the modern dance music alumni. Additionally songs were picked up for use in hit TV programs such as The OC, CSI: Miami and CSI: New York as well as appearing on dozens of compilations!!!
  • Kims favourite pop star is Serge Gainsbourg
  • The Presets started their career with a very risky video for the song "Cookie," it was never released officially due to controversial shots of minors in pornographic positions (creative if you ask me, nothing wrong with that. Its not like they went out and raped children), see for yourself...


  • In an interview with the national radio station Triple J, the band members discussed the inspiration for the albums title stating that they wanted to mix 'the end of the world' with something fun and light hearted. Possible names were 'Apocalypse Wow' (as a pun on the war movie Apocalypse Now, they thought this was hysterical) before they settled on 'Apocalypso', as a mixture of Apocalypse and Calypso.
  • Julian Hamilton does not believe in star signs/horoscopes.
  • When Julian Hamilton was a little boy his worst nightmare was as he describes "I dreamed that I was standing next to this road that was filled with millions of screaming human heads. My dad drove over them in his white commodore and they exploded like watermelons leaving two long bloodied tire trails down the road. The other heads kept screaming. Lovely stuff."
  • Kim Moyes favourite snacks are lemon tarts.
  • Julians heros are Dmitri Shostakovich (composer), and his Grandfathers.
  • Julians favourite snack is toast with ricotta cheese and honey.




Julian Hamilton's
TOP 10 FAVE SONGS
Lou Reed - Satellite of Love
A Certain Ratio - Waterline
Stereolab - Cybele's Reverie
Kraftwerk - Computer Love
Bela Bartok - The Lost Cat
Alice Coltrane - Spiritual Eternal/Wisdom Eye
Cannibal Ox - Iron Galaxy
The Smiths - Heaven Knows I'm Miserable Now
Shostakovich - Prelude and Fugue No.1, Op.87
Donny Hathaway - Jealous Guy

Kim Moyes TOP 10 FAVE SONGS:
"There is a Light and it Never Goes Out" The Smiths
"Play for Today" The Cure
"Witchita Lineman" Glenn Campbell
"She bangs the Drum" The Stone Roses
"Sound of Silence" Simon & Garfunkel
"Love Will Tear us Apart" Joy Division
"Tanned" Arab strap
"If I Ever Feel Better" Phoenix
"A Perfect Day" Lou Reed
"Dreams" Fleetwood Mac

SOME OF MY OWN SHOTS FROM SHOWS

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Remixed by Presets
Midnight Juggernauts - Devil Within (The Presets Remix) 2005
Paul Mac - Its Not Me, Its You (The Presets Remix) 2005
Caged Baby - Hello There (The Presets Remix) 2006
Lenny Kravitz - Breathe (The Presets Remix) 2006
Howling Belts - Low Happening (The Presets Remix) 2007
Silverchair - Straight Lines (The Presets Remix) 2007
Architecture In Helsinki - Heart It Races (The Presets Remix) 2007

Remixes done on Preset tunes
The Presets - The Girl & The Sea (Cut Copy Remix)
The Presets - I Go Hard, I Go Home (Club Mix)
The Presets - Are You The One (Simian Mobile Disco Mix)
The Presets - Are You The One (Lifelike Remix)

The Presets - Talk Like That (Dave Spoons Televized Mix)

The Presets - Talk Like That (Miami Horror Remix)
The Presets - My People (DIM Remix)
The Presets - My People (Dj DONR MOS Remix)
The Presets - This Boy's In Love (Adam Day Remix)
The Presets - This Boy's In Love (Lifelike Remix)
The Presets - Down Down Down (Digitalism)


VIDEOS

TALK LIKE THAT



THIS BOYS IN LOVE



MY PEOPLE



ARE YOU THE ONE (LIFELIKE REMIX)



ARE YOU THE ONE



DOWN, DOWN, DOWN



KITTY IN THE MIDDLE



E.P.'s







http://www.myspace.com/thepresets
http://www.modularpeople.com/thepresets/

http://www.thepresets.com

WICKED MUSIC: MODULAR RECORDINGS NEW YOUNG PONY CLUB

In the ’90s, glamour in electronica was hiding anonymously in the background of trance tunes, never allowed to take centerstage just in case it detracted from the geek-boy technicality of the genre. And when it did finally take spotlight in the early 2000s (courtesy of bands like Ladytron or Miss Kittin) it was always strapped down, genderless and robotic; sexual suggestions that were about as sexy as a slap in the face with Gary Numan’s old pants! It was as if the electro bods were terrified that their music would be tainted as pop or disco at the merest sign of femininity and only felt safe with their girls stripped of all passion and identity, portrayed purely as she-droids – their sexuality defined only by their mechanical subservience.

Then electro-clash broke through the electro-fabulous levees, and the ladies took control! Peaches grabbed the baton, flaunting her glam-sex brutality with fantastic abandon. Le Tigre became the femdisco Beastie Boys! Goldfrapp surrounded herself with unicorns and dolphins and got sexy despite being 286 years old. And now we’ve entered a flamboyant new world of danceadelica: Lovefoxxx, Robots In Disguise, Tigerpicks, Crystal Castles, The Ting Tings and, shimmying sparkly cheeked across some celestial dancefloor in high-heels and party dresses, Tahita Bulmer, the ice cream queen of the new glamtronic generation.

There are so many wonderful indie dance, electro-pop, discotech, noise-electro, electronica type bands out there right now that are not getting the recongnition and credit they deserve! I admit I used to think that the years that I had not been able to experience would never repeat themsleves like historians like to tell you, the 80's! Being born in the 80's I unfortunally missed out BUT there is hope, bands started to come through in the early 2000s! I found a record label "Modular Recordings," who seem to be the pinnacle of all this glittery gregariousness! This record company really knows who to sign ;) I felt it was necessary to share with you some of the GREAT indie bands I've recently discovered from this label (and some other labels too.)

First, New Young Pony Club, a five piece electronic band from London, England.




Forming in 2004, New Young Pony Club, draw influences from new wave bands such as LCD Soundsystem, Talking Heads and Blondie (or Vodka, Cake and Emotion as they like to say), combining angular guitar driven rock with dance rhythms disco-pop gloss & synths which is an enthusiastic and dance-y reminiscent of new romantic stars of the 80s or just a synth band with guitars...whatever.

As they explain at SPIN Magazine, Tahita Bulmer & Andy Spence, co-founders of NYPC, were introduced by mutual friends, they shared the same love for punk rock and dance music, from Gang of Four to Tom Tom Club. Tahita Bulmer is a vegetarian who describes herself as loving animals, and is interested in animal rights. She wasn’t very good at sports as a kid & she is Trinidadian mixed with English but spent her childhood living in New York, London and Europe. And Andy Spence, a graduate of UOL: The University Of Life, with his peace-activist, CND-mad mum.





The pair began writing together as a duo originally, intending only Tahita to preform the songs. Andy later assumed a larger role when they decided to form a proper band, so they gathered Lou Hayter for the keyboards, Igor Volk for the bass & Sarah Jones on the drums and became New Young Pony Club. In early 2005, they released two limited edition 7” singles, cult hit 'Ice Cream' & 'The Get Go' on an indie label 'Tirk Recordings' before like-minded label Modular Recordings picked them up & signed them to a worldwide deal, that was just one year after they had formed with all five members.

After that they exploded everywhere! They toured extensively in 2006 and 2007, a support tour with Lily Allen was followed by a spot on the 2007 NME Indie Rave Tour along with CSS, The Sunshine Underground and Klaxons. The band went on to their first headline tour to promote their debut album, Fantastic Playroom. The sold-out tour launched on May 30th at The Cockpit in Leeds, and concluded at Winter Gardens in Eastbourne on June 9, 2007. The band continued to play festivals throughout 2007. The band brought in the 2008 new year at the famous Rhythm & Vines festive in Gisborne, New Zealand. Their performance was considered a success.



Fantastic Playroom (NYPC’s effortlessly bubblely 10-trackdebut) is an example of the potential NYPC has. Modular sure knows how to pick 'em . It’s got the icy-cool foundations of Ladytron, the pose and punch of Peaches,the samba sexiness of CSS and the electrogiirrrrrrl ’80s pop scene of Robots In Disguise!! This is the best indie synth crossover record I've heard in a while!





SOME MORE FUN FACTS ABOUT NYPC

  • Tahita and Andy initially pressed 1,000 copies of their debut seven-inch single 'Ice Cream,' but the entire lot sold out in just three days.
  • Petas website finds out in an interview that the band’s name came from lead singer Tahita Bulmer’s desire to be part of a club or team at school. Her original idea for the band name was the more concise “Pony Club”, which she describes as “quirky and kinky and fun”. A pre-existing Irish band had already claimed the name, and the prefix “New Young” was added to reflect that the band are “a newer, younger and kinkier Pony Club.
  • Their song 'Ice Cream' is featured in a commercial for Intel Core 2 processors , in episode 4 of Secret Diary of a Call Girl and in an majority of the Gossip Girl commercials.
  • It also featured in the episode of legal drama series Shark, 'Here Comes the Judge', when Julie Stark drinks at a party. Also in the Grandparents seduction scene in Wedding Daze.
  • Singer Tahita Bulmer featured at No.15 in NME's 2006 Cool List, and is also a vegetarian.



  • Guitarist and band Producer Andy Spence was the Music Composer for the indie Tibetan movie, Dreaming Lhasa.
  • Lou Hayter has recently been seen at No. 35 in the NME Cool List 2007 and also is founding member of spin off band the New Sins.
  • Andy and Tahita often like to summon cat spirits when working in the studio.


REMIXES BY NYPC or done for them
  • Amy Winehouse - Tears Dry On Their Own (NYPC Remix)
  • Gossip - Jealous Girls (NYPC Remix)
  • NYPC - Ice Cream (Van She Tech Remix)
  • NYPC - Get Lucky (MSTRKRFT Remix)
  • NYPC - The Bomb (Villans Xplosive Remix)
  • NYPC - F.A.N. (Yo Majesty Remix)
  • NYPC - Get Lucky (The Twelves Remix)
  • NYPC - The Bomb (The Teenagers Crush Lou Remix)
VIDEOS

New Young Pony Club - Ice Cream



New Young Pony Club - The Bomb



New Young Pony Club - Get Lucky



New Young Pony Club - Get Lucky (The Twelves Remix)




http://www.myspace.com/newyoungponyclub
http://www.wearepony.com
http://www.modularpeople.com/newyoungponyclu